following on from the success of last years single >valley of paradise<, psychemagik are back with >magik cyrkles<, a new compilation for leng records. as well as prolific producers, psychemagik are also vinyl collectors at heart, a passion that has led them to be the go to guys when other collectors are looking for that elusive piece of wax. amongst their many happy customers are the now satisfied and influential names of soulwax, chemical brothers, lovefingers, q-tip, fake blood, tom middleton & lord finesse this love of digging deep for those obscure and long lost vinyl gems is the basis of their new magik cyrkles compilation. the fruit of many years digging, the compilation is a snap shot of music you might hear in a psychemagik dj set down in the sweaty basement clubs of the world and in the big tops of the festival circuit. the album takes its inspiration from all corners of the globe, travelling through psychedelic funk, cosmic disco, balearica, middle eastern beats and beyond… the album features artwork designed and illustrated by acclaimed oddball image-mongerer luke insect, and comes with four new and exclusive psychemagik edits. limited to 500, heavyweight gatefold lp with metalic finish.

nathan fake schlug mitte der nullerjahre mit seinen releases auf james holdens label border community ein wie eine bombe. sein clubhit the sky is pink im james holden remix definierte das neue genre neo-trance. der tune wurde von den groove-lesern zum zweitbesten remix des jahres 2004 gewaehlt, das darauffolgende debuetalbum drowning in a sea of love war für das mixmag das zweitbeste album des jahres 2006. fuer steam days zog sich nathan fake aufs land in norfolk zurück und kreierte mit seinen vintage-bandmaschinen nagelneues material, das wieder sanfte,melodische genuesse mit starken dancefloor-attacken vereint, und die technische professionalitaet des produzenten erneut unter beweis stellt.

limited to 333 copies! colored green vinyl! this new act on fauxpas musik grooves in right from the start with a fast, mannered beat crawler. with a total of six plinking, blissfull melodies its almost a full album. from the very first track the axnm ep is as playful as border community.the picturesque tracks involve splendid breakdowns and almost trance appealing passages, which couldnt sound more peaceful. each and single track appears like its own secret hymn. one of the most emotional and sweetish records on fauxpas musik. vinyl tastes better!

just in time the almighty stock 5 comes around in order to send out a wake up call for spring. rico casazza blesses us with his soul driver ep. the title track impresses with a badass houserhythm, adequately supported by jazzy chords that generate the space for the misty, soothed vocal in the background. -soul driver- is an afro percussion body mover, not to be missed in everydjs case. this one’s followed by -wa lking backwards-, a huge and soulful stomper, catching our spoiled ears with some elegant synth melodies and truly massive sub basses. the flip providesa wide playground for notorious emixers. first on the scene are cesare vs disorder who implanted a serious guitar lick, making their -supernatural mix- a funked out trance disco housemonster. matthew styles ennobles this flamboyant release with a rather minimalistic approach towards the original. -megamix pa rt 1- is perfectly suitable to make the crowd all yours on a sunny sunday after hour morning.

for the 4th release on their cocktail damore music, discodromo and boris bring you the exciting and extraordinary sound of lord of the isles. with a handful of releases for labels such as the japanese ene and firecracker offshoot, unthank, lord of the isles is currently one of the most talked about names in the electronic music scene. the sound in these 4 tracks moves between ambient electronica, planet e techno, kompakt shuffling trance (check out the sublime searching) and mid tempo balearic house chuggers, with squelches and bubbles in all the right places. they are highly sophisticated deep-disco house movements encrusted with splurges of sonic texture. lord of the isles has amassed support from a long list of both seasoned and new school djs, including masters like david mancuso & dj harvey, who included one loti s track on his recent x mix cd, andrew weatherall, daniel wang, fudge fingaz and linkwood. as usual: limited to 250 copies, 12 inch in 4 colors cover - no digital. hurry up, vinyl only!

wow, 1st class selected tracks... paul woolford presents a four track vinyl sampler with cool classix tracks & remixes from chez damier, daniel wang, skudge, achterbahn d amour , terrence dixon

finally the remixes of the celebrated jonsson/alter mod album is here – featuring no less than minilogue, donato dozzy and dorisburg (half of swedish duo genius of time). my god, that took some time. but no harm is done. all remixes has some kind uplifting and sunny trance mode to them, so as it turns out, this is actually the prefect spring release.minilogue starts out with the track kyrka 2.0 and ads both speed and length. donato takes on the track acapellan and does everything right. keeping the beautiful vocals of the original, donato adds bass line and new drums. the ep closes with another swedish contribution. alexander berg aka dorisburg from duo genius of time reworks djup house, and does it well. a solid bass line keeps us grounded to the dance floor while dreamy melodies and harmonies gently lift our serotonin levels. enjoy! before leaving you to the music we would like to thank minilogue, donato dozzy, dorisburg and last but not least, henrik jonsson and joel alter

including the mackenzie ft. jessy - arpegia / lambda - hold on tight / out of grace - anglia

phillips is the magnificent debut album by phillip lauer on running back. frankfurts melody man has amassed a body of work that includes the adventures of arto mwambe, top singles (delta nrg) on his extinct brontosaurus label for permanent vacation or live at robert johnson as well as remixes for the likes of maxmillion dunbar or with the tuff city kids project. the twelve songs that make phillips have been described as 808 state kissing movin records while cluster are in the room –, or a dolby nr tempest. whatever you want to call it, it has all the ingredients and romantic notions that can make dance music oscillate between the sacred and the profane: house, gloomy gothic grooves, cock-eyed electro, new wave trance and lots of songs without words. the power of lauer. available on cd, nine track gatefold lp and digitally. escorted by two tensnake remixes of trainmann on rb032 and more to come…,.

for correspondant 06, we have invited another french producer who comes from paris and calls himself offset. after a series of jazz/funk projects, offset found his calling with electronic music. >gazoline< is the title track and its a straight dance floor burner that crawled under our skin on the first listen. >subversive< is proof that slow can be dark, groovy, powerful, and sexy all at the same time, and >addicted< has a taste of trance just the way we like it, not too much, but just enough.
supported by maetrik, karrotte, chloe, ewan pearson, ivan smagghe, the hacker ...

if you have been following graeme clark in his solo disguise as the revenge or the stream of 6th borough project 12-inches leading up to this one, you should know what to expect here—deep, blissfully hypnotic sampledelia with track flows governed by the laws of extreme repetition. its a shame that trance means a particular subgenre of electronic music, because that term applies just as much to the effects of these tracks as anything tiësto has ever played.
given the space, clark and craig smith are able to utilize this formula over a broad musical spectrum, creating music in the full-fledged sense, one that traces a landscape of tempos, styles and emotions and a menagerie of resurrected sounds conjures up images of dusty record shops and tattered vinyl, musical spirits captured on wax. awesome!

3 x 180gr heavy weight vinyl + cd) new petar dundov album! driving, thrilling and emotionally charged ideas from the pond is set to cross the techno / house / trance divide and become one of the essential electronic albums of 2012.

(joakim / dexter / call super / jori hulkkonen rmxs) turbo celebrates renaissance mans lauded debut lp with a massive 12inch remix pack featuring joakim, dexter, jori hulkkonen and call super

as dmob said in the early 1988 we call acid - the musical phenomenon that makes you want to dance, that puts you in a trance, that move you to the beat. in 2012 a turin mysterious artist know as a.m.b. ( acid music band ) decided to follow the way to acid music, inspired by the acid guru as virgo or tyree cooper and the first techno workers as underground resistance or juan atkins he produced two tracks only with analog instruments and acid attitude. acid music band sounds like an orchestra, the man is the music director and the machines are the players. we are young so we asked help from an old expert… directly from the chi-city, ricardo miranda contributed to create an overall ep with his fantastic boogie remix. old and young records.. we love acid too.

ramona welcomes hungarian homeboy san laurentino (electric minds, mathematics recordings) for his first outing on live at robert johnson. a self-taught producer and isolated from the hubs of electronic body music in europe and overseas, laurentinos music bears all the qualities that such a recluse has to offer: deviating, different, definite and demonstrative music. four cuts of neo-star trance, ambient wave, erotic illusions and borderline rain-forest house. ramona fell in love with them. forbidden fruits taste best.

the first release by heiko laux and the 2nd ep to come from his now legendary kanzleramt imprint. ravesignals from a time, when techno and trance were still dancing hand in hand.

1994 kanzleramt release by anthony rother and matthias geist aka notsignal. a blast from the past, when techno and trance still were close brothers.

some seriously heavy drumstep monsters here from daniil kormshchikov aka hectix, a talented young producer from nizhny novgorod, in russia – picked up by john b when he was on tour out there earlier this year. he’s already had releases out on labels such as ammunition, artist recordings, talkin beatz & drum orange. overnight starts with an epic trance build up then hits you hard with absolute killer bass and drums and a phat mixdown. love rader has more screechy synths, and even moar heavy drumstep bizniz, both instant rewinds…
hectix is also working on a remix of >light speed< the title track from john bs new album out in 2012.

for the inside job ep, beat pharmacy leaves dub in the background, taking things in a more straight ahead house and techno direction. percussive without being oppressively banging, melodic without excessive nooding, tracks like >inside job< and >comet< nevertheless retain the intense attention to subtle detail that define moellers more dubwise productions. >in a trance in france< takes things into a deeper more hypnotic realm, and >hootin & tootin< toughens things up with an ominous analog bassline and thunderous kick drums sure to ignite a mainroom dancefloor. yet even here, echoes and melodic elements sweep through the mix, lest you forget who was working the boards.

new limited vinyl-only release from the trust orbit: scram01 combines cold futurism with a pulp sci-fi mood, cool berlin dub techno flavours with melodramatic detroit strings. side a is a pounding acid trance epic by vienna techno maestro patrick pulsinger (cheap records, r&s, disko b), side b has the slightly more melodic original plus bonus beats. limited to 300 copies.

kowton and tom dicicco, residing in bristol and manchester respectively, make very different music from one another. kowtons seems to come from house, perhaps also electro and garage, often quite slow in tempo and hard to pin down to a specific genre. toms music is techno, bass heavy, melodic, textured and rooted around 125 bpm. with these distinctive styles the idea of a split ep might seem ambitious, but the result is four cohesive but different tracks that show the talents of both artists perfectly in the format of two originals on one side and two remixes of each others originals on the other. tom diciccos original is driven by a low-mid range thick stab and pounding kick drum, littered with intricate but not overbearing hi hat and snare work and some very atmospheric mid range. kowtons is subtle and sparse, low fidelity and plodding, with rattling percusion carrying the tune along. on the other side of the record, kowtons remix of toms original is driven by an enormous bassline, with an off kilter dubby feel to the slow tempo and genre defying tune. toms remix of kowton rounds off the ep with a return to stab driven techno, pulsating, dynamic and trance inducing.

deep house veteran john daly (wave, drumpoet, plak & mule, feel music) delivers, with two epic tracks recorded to tape in one take using live hardware. the a-sides haze mix features expansive mind bending synths unfurling over 20 pulsating minutes into an ebbing, cascading dub-trance masterpiece. the b-sides aerosol mix redirects the intensity to the floor with relentless beats & crashing claps complementing the extra melancholy synth refrain on a bin-rattling 45rpm cut.

having finished recording the new zombie zombie album (out: april 2012), etienne jaumet leaves temporarily the duo to record a solo piece, as a need to find oneself again … if the word satori means spiritual awakening, the title track that offers etienne seems to describe the way to this awakening … a winding and sometimes dark path, taking inspiration from both dark disco and synth wave (etienne is particularly keen of those genres, you can listen to his new podcast for versatile records as an evidence) and also to some kind of trance… on b side, jon convex, newcomer on the dubstep / uk garage field and signed on martyns label, delivers a clearly club oriented version, by injecting syncopated beat and the funky groove unique to uk garage.

another grandios 12 inch from the untz untz records guys with a top notch remix package. this time its a hometown affair with all artist being from bergen, norway. so what is this then? is it house? is it prog? is it (dear we say it) almost trance? honestly we are not sure, but we know that it is balancing that magical thin red line somewhere in-between there and that it sounds powerful.

dorisburg finally return after sinai hypnosis with tundra - an emotional and mesmerizing piece of dancefloor drama with a subtle touch of trance, but in the aniara flavour with a very modern sound. on the flip side transform dives deeper with a primal, broken rhythm, hypnotic arpeggios and a sub-terrestrial ambiance. meditative yet seriously danceable stuff!

samuels debut for tartelet records is a three-track lesson in diversity. using the dingy dive bars and trance-inducing techno clubs of copenhagen as his playground, producer/dj samuel andré madsen is fast on his way to becoming an internationally recognized exponent of timeless techno and classic, effervescent house.

broken cosmic acid-funk? if thats already a genre, ad bourke for sure is its master. hot!

let the show begin, this is the first episode for marc poppckes new baby crossfrontier audio. time to clean your musical mind, here we go… from house to trance, next to techno and back to house again. for sure this is no space for hand-me-down standards.
a1 – marc poppcke & max von valentiner – never go backimagine berlin, imagine sunrise, imagine the party you left some minutes ago… haha, i know what’s on your mind. and no, i don’t mean those cute summer open air venues your tourist guide talks about. it’s november and the berlin summer has gone. it’s cold, it’s foggy, the shafts of sunlight have to find their way… and yes, it’s fucking beautiful and so is the track.
a2 – lake people – tellap tacleipzig is calling. well known for his debut on kollektiv turmstrasses musik gewinnt freunde lake people impresses with his minimalistic trademark sound that dares to be melodic as well. great stuff for prime times and big rooms but keep away from pyro shows.
b1 – salvatore freda - invictionafter numerous great and ingenious releases on cadenza, liebe*detail, freerange and others, salvatore continues with another effective lesson in hypnosis and self-awareness. dont ask, dont tell, just see for yourself!
b2 – frieder blume – we play for love - frieder sounds like those worldly-wise professionals that definitely know there business. but in fact its his first track on vinyl and we all can imagine what this guy will sound like in a few years. we play for love builds and builds and builds and culminates in a climax… bam! rewind please…

ness became interested in electronic music in the late 90s. in 2004 he started djing, taking inspiration from various genres going from trance to pure experimentation. the interest in music led him to attend various courses and audio engineer for some years and the conservatory of his hometown. the need to express his emotions through music led him to experiment and research in recent years that better reflect his sound. since 2009 he founded his own label mono records with his friend bettosun, and releases music in labels such as prologue, sonata and varianz. the experience gained over the years leads to define his dj sets that are characterized by a strong array of techno and house at the same time.

supported by: tim toh, oskar offermann & edward, shaddy foul&sunk, boris hotton, andy weid, hunee,.. frank is back for another round. this time its frank music head poncho johannes delivering two heavy tracks for your dancefloor. we got a classic double-a side, personally stamped in a basement and limited as sunny days last summer. first there is >rough rough raw< ... well its rough and its rough and its sort of raw. dubby vocoders, 909, rave breaks, you name it! second is -way out of sight- which got a fuzzy bassline, little trance moments for maximum party pleasure and some more dirtness in between. this is most probably slammin muscle house for skinny jeans boys. to sum things up: basement is not a crime! our good friend tim says: a few days ago i listened to an old cassette from the year 2000. >roughroughraw< really contains the spirit of this time. the right tune to start taking some >e<s again, smoking a joint and gettin nuts on a tiny dirty dancefloor. underground ish for sure... and same for >way out of sight< especially the first chord of that synth, which reminds me on michael jacksons >thriller<. thank you and turn that swagger on!

nice price deal !!! following critically acclaimed releases with mordant music and further records earlier this year, ekoplekz delivers his first album for punch drunk.
dispensing entirely with notions of accessibility and dancefloor friendliness, >intrusive incidentalz vol.1< is a 12 track collection of dark, oppressive atmospheres and violently unstable interludes, developed through studio improvisation and inspired by childhood memories of terrifying electronic soundtrack music from the 1970s, yet combined with a post-dubstep sensibility and a sense of dread informed by the social, economic and political climate of life in 2011. a bleak retro-futurist fantasy, or oblique soundtrack for a broken britain? the truth probably lies somewhere between the two.

krasimir gyurov (vizar) has dealt with electronic music since 2000. his style is influenced by nature with hypnotic deep pads and mystic drones. in 2004 he made a contact with underground a netlabel scene and several years later he released his first eps for spanish netlabels offaudio and antiritmo. from 2008 he played on the biggest underground techno festival in his country bulgaria - artmospheric festival, where the guests were donato dozzy, brando lupi, dave twomey. ness became interested in electronic music in the late 90s. in 2004 he started djing, taking inspiration from various genres going from trance to pure experimentation. the interest in music led him to attend various courses and audio engineer for some years and the conservatory of his hometown. the need to express his emotions through music led him to experiment and research in recent years that better reflect his sound.since 2009 he founded his own label mono records with his friend bettosun, and releases music in labels such as prologue, sonata and varianz. the experience gained over the years leads to define his dj sets that are characterized by a strong array of techno and house at the same time.

perfectly suited for huge dance floors and long summer after hours hon-ken sparks with spiralling, hypnotic, multi-layered synths moving between trance and space disco.
inspired by japanese wisdom and engineered with teutonic precision, hon-ken will release your mind and put every dance floor into frenzy.
on the flip lopazz and zarook add a more dub-infused note to their remix treatment. tokyo based producer liquid pegasus delivers a strong recording debut slowing things down to 100bpm resulting in a wonderfully deep disco cut.

from the very start, track one the first thirteen minutes of love opens the album with over ten minutes of ambient unlike anything you’ve heard in years, a long, elegiac composition somewhere between carl craig and the chill-out zone at a bygone rave. it’s a warning: take a deep breath before being swept away by eight tracks that span detroit and berlin, front 242 and carl craig, linking them via soaring trance, carefully-crafted minimal, the sound of the 90s, the sound of the new millennium. it’s hard to imagine the strike force and heart pangs it will inevitably inflict on any club in the know

this time mr raoul k not only wants you to dance - he wants you to go crazy on the dancefloor. in his well known way he crafts a relentless groover that sends everyone on the floor into the higher state of concsciousness called trance. he layers track upon track and builds a solid grooving base…. for the balafon. a handmade percussion instrument not unlike a marimba that gives guinean music its characteristic flavor. the vocal loop on top draws you deep into the vortex of nested percussion, african melodies und thick baselines. thistrack will never let you go - like moebius band. its main theme will stay in your head for a very long time. it will shake your hips after you left the dancefloor. and it will escort you on your way home after youve left the club. maybe it even serves as a lullaby after a long night out. already tested by Âme with stunning results.

new border community, new age / neo trance influenced, with a special unique border community feeling...

mainrecords is back - stronger then ever!
we are proud to present an very talented upcoming artist from athens/greece called billy on air. growing up in a house full of music had many influences by different kinds to him. he started playing the piano at the age of 6 and that you can hear on his first production for mainrecords wich is a very aelodic and well produced hybrid between techno and trance. for his debut we got some cool remixes, the first one is from our long-time friend frank leicher who has stripped down the original to a techhouse bomb in his typical style. on the flip we present a crazy technoid remix by noone less then alex bau. his repaint uses just the essential drums of the original.

as a final hurrah on hybrids most excellent fourth studio album >disappear here<, we are pleased to present some great new mixes of one of our favorite tracks on the album.
new prog-trance kings myon and shane 54 are first up with their skillful progressive re-interpretation. the pair add lush strings to the original while keeping things chunky and melodic.
retroid keeps the breaks flag flying with his beefy beats, slick production and polished sheen. to round things off for all those hybrid-istas who have been asking for the instrumental ... here it is!

a long overdue rude 66 retrospective, that compiles acid, techno, idm and ambient tracks from his legendary acidplanet and djax days, with several unreleased gems from the same period. this release reveals the missing link between rudes iconic early acid sewer sound and the evil dragster electro-trance he has become known for in recent years. all tracks have been remastered and re-edited to appear now as youve never heard them before! no more eastern european carboard pressings, but spacious and thrilling sounds that finally really you immerse in the death race! very limited edtion on clear vinyl double album with free download and postersleeve.

bassarani in your face again! heres part two of the ongoing roma meets running back saga. conveniently appearing in a white inner sleeve (slip it into the retro-futuristic telescopic picture sleeve that you hopefully already have),the final frontier/pigna/nature captain steers his ship into a safe harbour. three tracks of hardcore space music and magic carpet melodies: >white dwarf< appears as the final link between frankfurt trance and tribal house, >black dwarfi&#770, is its beat-heavy brother (for dj use only!) and finally we come full circle with i&#768,colliding stars pt. 2<.science aint no fiction.

one would be curious as to what a track such as this one would sound like. images and visuals floating through your head as you press play, the airy, angelic pad intro induces you into a trance-like state before soothing piano lines and a pitched-up vocal reminiscent of the early hardcore era takes you away. as the drums come in with a half-time feel, it is easy to imagine japanese taiko drummers playing their part. once the break takes hold, a short span of melodic heaven uplifts before the drums take control again.

third and final part of the massive longplayer.. fierce and dark techno weapons! berghain proof ! having built up several heavyweight releases on figure already, japanese techno magnate a. mochi stampedes onwards with primordial soup his powerful 9 track longplayer, initially split over three successive 12 records. this collection of simply overwhelming club weapons extends and expands upon some of the themes the producer already explored in his 3 previous eps for figure ringing, gyrating and pulsing with sheer technoid power is fastball, which will be included on the third part of the release. devilishly simple and yet mind-expanding all the same, this is a true underground weapon for true techno lovers. this only leaves the haunting lift-off signal of forced run, and the trance-inducing, reduced jam that is dark matter.

>21th century-electronic-krautrock< ist vielleicht die beste umschreibung für das album >in g<,in welchem borngräber & struver gekonnt einflusse von motoric-krauts wie neu mit den errungenschaften von minimal-techno zu ganz eigenen musikalischen aussagen kombinieren.hier wird keine trance-seligkeit oder große abfahrt ausgerufen, hier werden die wesentlichen musikalischen aussagen auf den punkt gebracht.>in g< ist ein gelungener beitrag zur geschichte des motoric-krautrocks.abwechslungsreich inspiriert schmiegen sich zum teil düstere bladerunner-atmos an feine electrobeats und fast in jedem titel obligatorische dubeffekte an uberraschende breaks.gerade hier haben die beiden gitarren, vocals und vor allem frischfreundliche blaeser so eingesetzt, daß ihre songs als begleitmusik für jede art von kopfkino bestens geeignet sind.

goose hat sie schon immer gehabt, diese laute dance-music-with-rock-attitude, schon auf ihrem 2006er debütalbum bring it on. ihre bellenden synths, schreienden vocals und wuchtigen energie-levels sind längst zum festen bestandteil der justice/ed banger-szene geworden. auf >synrise< macht die band einen ausflug in die 70er- und 80er-jahre, in die zeiten von space disco wie automat und 80er-filmsoundtracks, mit musikalischen koordinaten wie philip glass, giorgio moroder und vangelis. das resultat ist mehr als nur die summer dieser teile: es ist ein album voller dance-tunes mit klaren pop-strukturen. das beginnt schon mit dem titeltrack >synrise<, einem jetstreaming-soundscape von moroder-artigen synth-arpeggios, die sich hochschrauben zu einem gastauftritt von peaches. >words< dagegen könnte problemlos als vintage chemical brothers track durchgehen, während die sich verlierenden sphären von in cars den einfluss von trance mit klaxons-style-vocals kombinieren.

12 inch vinyl with digital download coupon. comes with remixes from wugwump & dave dk. wonderful support and played by everyone from luciano over michael mayer to the usual suspect as bill brewster, tiga, dj pierre, yvan smagghe ... a beauty!

beg to differ is a dance music duo comprised of house hero nick chacona and wurst label boss roy dank. the two longtime friends started tinkering around in the studio last year, remixing the likes of detachments for thisisnotanxit as well as nicks solo outing with kathy diamond for moodmusic, and quickly finding favor with fellow new yorkers james murphy and holy ghost!. influenced by talking heads, my bloody valentine, and paulsimpson, beg to differs work is characterized by big hooks, live instrumentation, and lush production. the duos wurst debut features two massive - and decidedly different - reworks. parisian afrobeat masters bibi tanga & the selenites get the full beg to differ overhaul on >be africa<, complete with infectious arpeggios, killer keys, and an entirely new rhythm section, with nick himself on bass duties. the pop rock of the hours >ali in the jungle< is transformed into an epic, string-laden anthem taking in disco, rock, and even trance by the end of the mix. heavy to say the very least.

incl mutant clan & timo maas rmxs! the rhythm monks are masters of trance, searching to understand the fundamental essence of the drum. they are technicians of ecstacy. modern shamans. mystics. the song primal beat is based on a rhythm popular in the siguiri, kankan and kouroussa regions of africa. it was traditionally played to settle disputes among the men of the village. the two in conflict would dance the doundoumba in the bara among the village people. this would ensure the safety of the competition which lasts from dusk to dawn. for this track, the rhythm monks have joined forces with their friend and vocalist barbara panther.

classic , limited stock !!

the story of this record includes one day in m(dm)ay, anarchic after-hours, laptops, gurner-djs and the need of pressing something that sounded nice, uplifting, somehow kompakt, pop-trance and just so convincing on a 12-inch. databoy78 thought the same and here we go with a seductive and hypnotizing drama. flip the script for a splendid remix by zurichs super dj lexx (zukunft, sometimes known as kawabata and switzerlands version of dj premier back in the day) who houses tings up and giving away a dope swiss beatz excursion on top of it all. lemonade was a popular drink and it still is.